Showing posts with label the perfect pitch. Show all posts
Showing posts with label the perfect pitch. Show all posts

Tuesday, June 8, 2010

Pitches

The latest trend in writers marketing is to tell everyone they need an "elevator" pitch. A short (15 words or less) pitch that you could use if you ran into an editor in an elevator. Something to get their attention. I worked hard on this-thought I had a great one for a Women's Fiction novel I wrote.
Here's the pitch:"A convention services manager discovers a family secret that complicates her happy ever after."
And the title: "If the Shoe Fits--sometimes the last thing you need is a fairy godfather."
I was prepared. So I went in for a pitch session with an agent. I gave my well polished pitch. She paused, blinked and said. "Okay, so tell me more."
I drew a complete blank. "Um, well, um." Wait...aren't they supposed to ask more specific questions about the book? "Um, well, okay... it's a Cinderella story--"
She cut me off. "Sorry Cinderella stories are over done. No one will buy it."
I swallowed. "Well, it's really and anti-Cinderella story. You see, the twist is that the Fairy Godfather gums up the works and the girl has to take her own life into her hands if she wants a happy ever after."
Agent frowned. "I don't get it."
"Okay..." My mind scrambled. "You see the heroine hasn't moved on since her mother's death. One day at the worst possible time, she discovers she has a fairy godfather who wants to change her life and give her a happy ever after."
"Cinderella stories are over done," Agent dismissed my pitch.
"No, see, the godfather tries to get the heroine to live the life he wants for her and she must learn to finally stand up for herself and live the life she wants for her."
"But," the agent says, "Why would you not want a fairy godfather?"
I stared at her, knowing I had lost all hope at this point. "This is really tough," I mutter.
"Why don't you tell me about something else you have," the kind agent says.
I didn't have any other elevator pitches ready. I swallowed. "But, this is the best book I've ever written."
Ding.
"Writers, your time is up. Please finish up and allow the next set of people in." The moderator announced.
I stood, shook the agent's hand and thanked her for seeing me. She handed me her card and said it was nice to meet me.
The point to this little story? You can write a good story. You can follow all the latest "rules" and write a good pitch. But that doesn't mean you'll always be fully prepared for what happens next, especially when the editor/agent doesn't get what you're trying to say. So, my advice, learn about pitches, do your best to write one, then realize that we're all human and even published authors can gum up a good appointment. Give yourself a break. And most important, try, try again. Cheers~

Sunday, April 12, 2009

Query Letters-Part II - the perfect pitch

Now that you know what your book is about, where it will be shelved, and who you are querying,
(See Part I on query letters.) it's time to craft the Pitch.

You have to think of your query letter as a five minute pitch session. (The very words "pitch session" turn most writers into a quivering mass of sweat and nerve. Relax we'll take it one step at a time.)

It is at this point that you have to really think like a marketing guru- or better yet an advertising executive. (Not like Darin from the old TV show "Bewitched" More like why they do on the show "Trust Me," and yes, sometimes copious amounts of drinking might be necessary--just kidding.)

To get into the right frame of mind, watch ten minutes of advertising on television, thumb through magazines and newspapers, play on facebook and google and -this is the important part-pay attention to the ads. What are they selling? How are they selling it?

The key here is to use a tag line. Think about the NY Times Bestseller list- each book on it has a tag line.

Ex:
THE HOST, by Stephenie Meyer. (Little, Brown, $25.99.) One woman won’t surrender to the aliens who have taken control.
MALICE, by Lisa Jackson. (Kensington, $24.) A New Orleans detective is stalked by his dead first wife.

Your first task in marketing your book is to write this tag line. The rules are simple. Write a fifteen word or less sentence that tells your story premise. Use descriptors instead of names.

Here is the tag line for my current pitch- If The Shoe Fits, by Nancy J. Parra. A convention services manager discovers a fairy godfather who complicates her happy ever after.

You can tell from all three examples what the basic book premise is and what market it belongs to... read them over and think about it. Is it a romance? A mystery? Does it have paranormal elements? How do you know this?

Take your time- write out two or three of these for your books-tweak them. (Mine usually start out at 17 to 20 words and I cut and tweak to under 15.)

Save this info because you can use this as a simple pitch when you are at conferences, book signings and interviews. If someone asks you what you are writing- give them this statement. I bet they will ask to know more... versus holding them hostage by telling your entire story in twenty minutes while their eyes glaze over.

Write the tag line! Do it. It's good practice because when you sell your book- 9 times out of 10 you will be the one writing the tag line and the back blurb. When your editor asks for it, you'll already have it done.

The next step to writing your query is to write what amounts to a selling cover blurb. Think of the back blurb of your book. This part is intended to be an eye catcher with a hook. This is not a synopsis, but a marketing piece meant to encourage the agent/editor to ask to read your synopsis.

How do you do this?

Write three simple sentences that give your hero/heroine's goal, motivation and conflict. Then add a sizzling hook.

Following are some examples:

From C.J. Cherryh's Fortress of Eagles, EOS, 1998-

Tristen is both more and less than a man. A summoning, a shaping, he was brought to life by a wizard, to serve a king yet to be crowned.
Cefwyn had a dream: a united Ylesuin, and a peace this land had never known. Cefwyn needs his only friend, this young man of mysterious origins who is more brother than vassal.
He relies on Tristen, and trusts him though he knows not why, as he plans the war that will bring his dreams to pass...or bring ruin upon them all.

From Mary Margret Daughtridge's Sealed with a Kiss, Sourcebooks, 2008-

HE CAN HANDLE JUST ABOUT ANYTHING, EXCEPT THIS... Jax Graham is a member of an elite military team, but when it comes to taking care of his four-year-old son, he's completely clueless.
ONE PERSON CAN HELP HIM, IF HE'LL LET HER...Family therapist Pickett Sessoms knows just how to help a rough, tough Navy SEAL deal with a scared and lonely little boy, but not if he insists on going it alone.
When an outing turns deadly, Picket discovers what it means to be a SEAL, and Jax discovers that even a hero needs help sometimes...

From Nancy J. Parra's, If The Shoe Fits-

AN INDEPENDENT WOMAN… Joella St. John vows to be successful on her own to prove to herself and her family that she is not a failure. The last thing she wants is a fairy godfather telling her he can magically make everything all right.
A MAN ON A MISSION…R.J. Sinclair has only one job and that is to protect the Bennet family at all costs. When Wade Bennet decides he wants to marry Joella, R.J. does everything in his power to convince her the match is right-even though his heart is demanding that he keep this one for himself.
A FAIRYTALE GONE AWRY…There’s a fairy godfather, a handsome prince, a ball and a crystal shoe. But what happens when it’s not the prince who captures your heart?

Writing the tag line and pitch are probably two of the toughest things you'll do for your book. Trust me. I know how hard it is to take a 100,000 word story and create a compelling fifteen word sentence. But once you do this a couple of times, you'll start to get a solid feel for what your book is about. Why you are writing it and why you want people to buy it.

A good pitch can be written at the beginning of a book or the end of a book- depending on what works for you. Never skip this step. By having a tag line and a selling back blurb you show editors and agents that you are a professional, serious about selling your work and you give them something strong to take into meetings and help them sell your work.

Next week- Part III- Putting the letter together.